Adolph Loos Biography: Parents, Children, Age, Net Worth, Wife, Pictures, Death

Adolph Loos Biography: Parents, Children, Age, Net Worth, Wife, Pictures, Death

January 4, 2025 0 Posted By Johnson Ajiboye

Adolf Franz Karl Viktor Maria Loos, famously known as Adolph Loos, was an Austrian and Czechoslovak architect, prominent European theorist, and polemicist in modern architecture.

He was greatly influenced by modernism and became a well-known critic of the Art Nouveau movement, advocating for a more functional and minimalist approach to design.

Profile

  • Full Name: Adolf Franz Karl Viktor Maria Loos
  • Stage Name: Adolph Loos
  • Born: 10, December 1870
  • Date of death: August 23, 1933 (Aged: 62 years)
  • Birthplace: Brno, Czechia
  • Nationality: Austrian
  • Occupation: Architecture
  • Height: unknown
  • Parent: Adolf Loos and Marie Loos
  • Siblings: Hermine and Irma
  • Spouse: Carolina Catharina Obertimpfler (m. 1902-1905), Elsie Altmann (m. 1919-1926) and Claire Beck (m. 1929-1932)
  • Children: None
  • Relationship: Divorced
  • Net Worth: Unknown

Early Life And Education

Adolf Franz Karl Viktor Maria Loos was born on December 10, 1870, in Brno, Czechia, to his parents, Adolf Loos and Marie Loos.

He had two siblings, Hermine and Irma. Loos pursued architecture at Dresden University of Technology and attended various technical schools, though he never completed his degree due to inconsistent academic performance.

He is of ethnic German descent and was raised in a Christian household, but there is limited information regarding his personal religious beliefs.

Career

Adolf Loos began his architectural career after studying at various institutions and spending time in the United States, where he became influenced by the Chicago School and its foundational philosophy of “form follows function.”

Upon his return to Vienna in 1896, Loos quickly distinguished himself by rejecting the elaborate, decorative styles of Art Nouveau and Beaux-Arts.

Instead, he championed a minimalist approach that prioritized functionality and simplicity over ornamentation, a stance that would define his career and reshape architectural trends in the early 20th century.

Some of Loos’s most notable early works include the Café Museum (1899) and the Goldman & Salatsch building (1910), the latter of which earned the nickname “House without Eyebrows” due to its unadorned façade.

His designs often reflected his unique architectural concept, the “Raumplan,” which organized spaces according to their intended functions rather than adhering to traditional floor plans.

This innovative approach is exemplified in the Villa Müller in Prague, where Loos’s careful manipulation of space allowed for greater functionality and a more fluid building experience.

Beyond his architectural designs, Loos made significant literary contributions, most notably with his essay Ornament and Crime, in which he condemned excessive decoration in architecture and argued for a more rational, functional approach to design.

His revolutionary ideas profoundly influenced the development of modernist architecture, impacting renowned figures like Le Corbusier and Mies van der Rohe.

Loos’s work and writings cemented his status as a key figure in the transition towards 20th-century modernism, leaving a lasting legacy in the architectural world.

Social Media

Adolf Loosdiws does not have a social account.

Personal Life

Adolf Loos was married three times during his life. His first wife was Carolina Catharina Obertimpfler, whom he married in July 1902.

Their marriage ended in divorce in 1905 amid a public scandal. In 1919, Loos wed Elsie Altmann, a 20-year-old dancer and operetta star, but they divorced in 1926 after seven years.

His third marriage was to Claire Beck, a writer and photographer, in 1929, though they divorced in 1932. Loos had no known children from any of his marriages.

Net Worth

Adolf Loos’s net worth is not well-documented, with specific figures remaining largely unavailable.

Throughout his career, he faced financial instability, primarily due to his difficulties securing commissions and gaining public acceptance for his modernist designs.






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