Huseyngulu Sarabski Biography: Songs, Death, Wikipedia, Nationality, Ethnicity, Height, Net Worth, Age

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Huseyngulu Sarabski was an influential Azerbaijani opera singer, composer, playwright, stage actor, theatre director, and musician. Initially working in various trades, he eventually discovered his passion for theater.

Sarabski became widely recognized for his portrayal of Majnun in Uzeyir Hajibeyov’s opera Leyli and Majnun, performing the role over 400 times.

He significantly contributed to Azerbaijani cultural life by founding theater troupes and serving as a faculty member at the Azerbaijan State Conservatoire. His legacy endures through his great-grandson, Isfar Sarabski, a celebrated jazz pianist.

Profile

• Full Name: Hüseynqulu Malik oğlu Rzayev
• Stage Name: Huseyngulu Sarabski
• Born: March 20, 1879
• Death date: 16 February 1945
• Age: 65 years old
• Birthplace: Baku, Azerbaijan
• Nationality: Azerbaijani
• Occupation: Azerbaijani opera singer, composer, playwright, stage actor, theatre director, and musician
• Height: Unknown
• Parent: Mr. and Mrs. Rzayev
• Siblings: Unknown
• Spouse: Hagigat Rzayeva
• Children: Unknown
• Relationship: Unmarried
• Net Worth: Unknown

Early Life And Education

Hüseynqulu Malik oğlu Rzayev was born on March 20, 1879, in Baku, which was then part of the Russian Empire, present-day Azerbaijan. He was raised by his parents, whose names are unknown and can be referred to as Mr. and Mrs. Rzayev. It’s possible that he grew up with siblings, though their names are not publicly known.

Rzayev’s early education began under a mullah, where he studied the Koran, but he left due to language barriers and harsh treatment. After leaving his religious education, Rzayev attended Russian night courses for the poor, which were funded by the philanthropist Zeynalabdin Taghiyev. His education continued at the Baku Conservatory, where he graduated in 1927. Rzayev was of Azerbaijani ethnicity and practiced Islam.

Career

Huseyngulu Sarabski began his career at the age of 12 when he watched his first theatrical performance, Khan Sarabi, an amateur production adapted from Mirza Fatali Akhundov’s play. This experience sparked his passion for theatre, and he later adopted the pseudonym “Sarabski” in reflection of this first encounter.

Despite initially working in blue-collar jobs such as smithery and stone dressing, Sarabski’s interest in theatre led him to attend Russian night courses for the poor, funded by Zeynalabdin Taghiyev.

Sarabski’s first significant role was as Rasul in Dilin balasi by Nariman Narimanov. He later performed in a variety of dramatic pieces, but it was his portrayal in Almansor by Heinrich Heine that caught the attention of composer Uzeyir Hajibeyov.

Sarabski’s powerful performance of the Hijaz-i Arabi mugham led to a new path in musical theatre. In 1908, Sarabski took on the iconic role of Majnun in Hajibeyov’s opera Leyli and Majnun, which became the first Azerbaijani and Oriental opera in history. Over the next 30 years, he performed this role around 400 times.

From 1914 onward, Sarabski, along with conductor Muslim Magomayev, led a troupe that toured across several cities, including Tiflis, Erivan, and Teheran, performing Leyli and Majnun and other works.

In Baku, the opera was staged regularly. Between 1923 and 1926, Sarabski founded theatre troupes in Shamakhi and Aghdam, contributing to the cultural landscape of Azerbaijan. He also wrote and staged three plays, including Jahalat (Ignorance) and Akhtaran tapar (He who searches will find), which were performed by both amateur and professional groups.

Sarabski was also a composer, creating lieder such as Mughan and Bizim daghlar, as well as the children’s song Ay-ay. In 1936–1937, he published a book, Kohna Baki (Old Baku), which chronicled the city’s history and musical traditions.

Between 1940 and 1942, he taught opera and mugham at the Azerbaijan State Conservatoire, influencing the next generation of Azerbaijani singers, including Sara Gadimova and Shovkat Alakbarova.

Sarabski’s legacy as a leading figure in Azerbaijani opera and theatre endures, with his contributions to the arts and education continuing to resonate. His great-grandson, Isfar Sarabski, a renowned jazz pianist, carries on the family’s artistic traditions, ensuring that Huseyngulu Sarabski’s impact on Azerbaijani culture remains significant.

Social Media

Huseyngulu Sarabski does not have any active social media accounts.

Personal Life

Huseyngulu Sarabski had a notable partnership with his stage companion, Hagigat Rzayeva, with whom he performed for 15 years. While there is no specific mention of a spouse or marital relationship, his professional collaboration with Rzayeva was a significant part of his life.

On his deathbed, when he was only able to communicate through writing, he was visited by opera singer Hagigat Rzayeva (whom he had had as a stage partner for 15 years), and asked her to sing an aria from Leyli and Majnun.

Following her singing, he added to his will that he would like a piece from that opera to play during his funeral with Rzayeva singing while his body was laid into the grave. Huseyngulu Sarabski passed away in 1945, leaving behind a lasting legacy in the world of Azerbaijani opera and theatre.

Discography/Filmography

• “Mughan”
• “Bizim daghlar”
• “Ay-ay”
• “Jahalat (Ignorance)”
• “Akhtaran tapar (He who searches will find)”
• “Na dograrsan gashina, o chixar gashigina (What goes around, comes around)”

Net Worth

Huseyngulu Sarabski, a prominent Azerbaijani opera singer and actor, does not have a documented net worth.

While his financial status remains unknown, he is widely recognized as a significant cultural figure in Azerbaijan, making substantial contributions to the development of opera in the region. His legacy continues to influence Azerbaijani arts and culture.

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